This is another in Anders Zorn palette of ivory black, white, yellow ochre and vermillion. This I did from the photo on the DPW Challenge. I normally don't use someone else's photo but I did like the old abandoned house and they shot the pic from a good angle. I am finding out by these two that the Zorn palette does not really translate well into watercolor (see last post). For one the ivory black does not give a very good cool blueish gray when mixed with white. I very rarely use tube black in watercolor or oil, preferring to use a chromatic black mixed from ultramarine or cobalt blue and burnt sienna. Also white mixed into watercolor acts very different than white mixed into oil.