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Sep 14, 2016
Media: Watercolor on Arches #140 Cold Press Paper
Size: 8x8 in
This is my second take on yesterday's subject - a good thing that often comes from the daily-painting challenge. Often, you don't get to obsess over a project because of the time limit, but the "what-if"s that spring from it can germinate the next day, or the day after into a creature of its own. I wanted to play with the abstract background a bit more and make color and paint application (granulation, wet-in-wet shapes, etc.) the dominant factor instead of strong value patterns that dominates in yesterday's version. Instead of changing the last painting and trying to realize this goal, I just took another go of it. The result is today's painting -- less electric, more dreamy in its atmosphere. It is fun to look at the two pieces side-by-side and think how much a variation painting can take from its source material. Often painting from my own painting brings a great sense of freedom, as well as springboards my imagination. Staring at the shapes gradually emerging from the interaction of paint, water and paper surface often leads to such unexpected directions. All I need is to listen, instead of trying to beat the painting into the mold I had in my head before putting brush on paper...
This is my second take on yesterday's subject - a good thing that often comes from the daily-painting challenge. Often, you don't get to obsess over a project because of the time limit, but the "what-if"s that spring from it can germinate the next day, or the day after into a creature of its own. I wanted to play with the abstract background a bit more and make color and paint application (granulation, wet-in-wet shapes, etc.) the dominant factor instead of strong value patterns that dominates in yesterday's version. Instead of changing the last painting and trying to realize this goal, I just took another go of it. The result is today's painting -- less electric, more dreamy in its atmosphere. It is fun to look at the two pieces side-by-side and think how much a variation painting can take from its source material. Often painting from my own painting brings a great sense of freedom, as well as springboards my imagination. Staring at the shapes gradually emerging from the interaction of paint, water and paper surface often leads to such unexpected directions. All I need is to listen, instead of trying to beat the painting into the mold I had in my head before putting brush on paper...
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