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Feb 13, 2014
Media: Watercolor Arches #140 Cold Press Paper
Size: 9x12 in
Busy with drawing projects at the atelier for the past two weeks, but I managed to sneak in a few painting hours here and there, and finished "Tranquility". I want to convey the sense of utter stillness and quietude in the early morning hours of an overcast day, and kept on feeling that the shapes of the cloud and distant trees near the foothills needs to be tweaked more, so I have wet and rewet these areas, dried them, wet them again... It's been a lengthy process. When painting landscapes I often find it's not enough to directly copy the shapes present in your reference materials; instead, conscious, deliberate design choices has to be made to makes tree/mountain/rock/cloud shapes interesting. On the other hand, it is so important to imitate the randomness presented in the natural shapes in your design, and take great care to not make them look too "designed", mechanical or symmetric! It's a delicate dance of balance...
Busy with drawing projects at the atelier for the past two weeks, but I managed to sneak in a few painting hours here and there, and finished "Tranquility". I want to convey the sense of utter stillness and quietude in the early morning hours of an overcast day, and kept on feeling that the shapes of the cloud and distant trees near the foothills needs to be tweaked more, so I have wet and rewet these areas, dried them, wet them again... It's been a lengthy process. When painting landscapes I often find it's not enough to directly copy the shapes present in your reference materials; instead, conscious, deliberate design choices has to be made to makes tree/mountain/rock/cloud shapes interesting. On the other hand, it is so important to imitate the randomness presented in the natural shapes in your design, and take great care to not make them look too "designed", mechanical or symmetric! It's a delicate dance of balance...
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